“David Lampard’s wonderful and quirky set and costume designs are thick with Masonic symbolism and his direction of the production subtly highlights more of them. The set has to be seen to be appreciated, appearing as a huge backdrop of a sun with rays spilling out from it, creating an almost leadlight appearance, then suddenly being revealed as a series of columns that can be moved and rotated to create many other scenes.”
Barry Lenny, broadwayWORLD.com

“David Lampard has worked his usual magic with the set and costumes… The set pieces move with ease to represent the many scenes of this opera.”
Fran Edwards, Adelaide Theatre Guide